The Duality of Man

Simply because my duality shines ever-so-brightly at times, and I so frequently lose track of what my shadow is doing, I'm sorta on a Jungian kick the past few days. What better source of subject matter than Stanley Kubrick's "Full Metal Jacket". One of my favorite scenes is when a Pogue Colonel accosts Private Joker for wearing a peace sign on his flak jacket.

Pogue Colonel: Marine, what is that button on your body armor?
Private Joker: A peace symbol, sir.
Pogue Colonel: Where'd you get it?
Private Joker: I don't remember, sir.
Pogue Colonel: What is that you've got written on your helmet?
Private Joker: "Born to Kill", sir.
Pogue Colonel: You write "Born to Kill" on your helmet and you wear a peace button. What's that supposed to be, some kind of sick joke?
Private Joker: No, sir.
Pogue Colonel: You'd better get your head and your ass wired together, or I will take a giant shit on you.
Private Joker: Yes, sir.
Pogue Colonel: Now answer my question or you'll be standing tall before the man.
Private Joker: I think I was trying to suggest something about the duality of man, sir.
Pogue Colonel: The what?
Private Joker: The duality of man. The Jungian thing, sir.
Pogue Colonel: Whose side are you on, son?
Private Joker: Our side, sir.
Pogue Colonel: Don't you love your country?
Private Joker: Yes, sir.
Pogue Colonel: Then how about getting with the program? Why don't you jump on the team and come on in for the big win?
Private Joker: Yes, sir.
Pogue Colonel: Son, all I've ever asked of my marines is that they obey my orders as they would the word of God. We are here to help the Vietnamese, because inside every gook there is an American trying to get out. It's a hardball world, son. We've gotta keep our heads until this peace craze blows over.
Private Joker: Aye-aye, sir.

Personally, I think Kubrick was a genius - and I don't expect a lot of arguments about it. "Full Metal Jacket" in particular is RIFE with dualistic symbolism:
"Sound off like you've got a pair!"
"Only steers and queers come from Texas..."
"One for the commandant. One for the Corps."
"This is my rifle. This is my gun."

And then there is the duality of "Left Right Left Right Left Right" ad infinitum. It's clear Pyle doesn't know his left from his right. Joker shows him how to lace his boots, "right one over the left, left one over the right..." Also Pyle has to be shown, one leg at a time, how to get over the obstacle. This is a crucial symbolic event in the film. It looks like Pyle might make it after all. He may achieve individuation similar to his doppelganger Animal Mother. "Congratulations Leonard, you did it." If only he hadn't succumbed to the allure of a jelly donut.

And the sniper is a woman! Throughout the film, women are objects of pleasure - and nothing else, in the finest traditions of the male hero cult projection. Joker plays this out in the aforementioned facades, he attempts to make the traditional John Wayne myth role his own, through his maverick sarcasm. It's quite a jolt to our intrepid Marine, when he is confronted by a culture where young women become skilled "marksman," killers in a desperate grasp for self- determination. That wasn't in the movies!

Another angle is that of the Archetypal. Joker (not unlike Dr. Bill in Eyes Wide Shut), lives in the Persona; behind a mask. Jung decried this Western narcissism repeatedly, because to him it illustrated the shallow banality of the ego. The Shadow is quite active throughout the film, Joker keeps this darker reality of humanity at bay with the mask of his Persona. But the Shadow finds its song in the beating of Pyle; Pyle's suicide; the attack on the base in the Tet Offensive; the lime-covered bodies in the pit; the death of Cowboy; and finally in the confrontation with the young woman. The feminine principle, embodied by the sniper, interplay with the Shadow. Joker has no real experience of women, his only ones are those of subjugation, "female" being reduced to a mere "sign" not only socially but psychologically. The climactic encounter can be read as a conflict between the ego and the anima, the ego (Joker) has no choice but to kill the anima (the sniper). His psyche is caught in a dilemma with no resolution. The question is, where will he go from here?